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Printable version Published: Thursday, November 14, 2013 Contact Yavuz Area SARC - Research Centre on arts and language type activities saturated steam properties Thesis thse Keywords: Narrative Art, John Gibson, Jean Le Gac, Didier Bay, John Baldessari, William Wegman, David Askevold, Peter Hutchinson, saturated steam properties Bill Beckley, Roger Welch, Christian Boltanski, Michael Badura, Jochen Gerz, Franco Vaccari, Paul Ricur, Narrativit visual CITL, Ph
Jury Jean-Marie Schaeffer, Director of Research, CNRS, Director of Studies, EHESS January Baetens, Professor, Literature saturated steam properties and Culture Unit, KU Leuven, rapporteur Jacques Morizot, professor of aesthetic philosophy, University of Aix-Marseille, André rapporteur Gunthert , lecturer, CRAL-CETHA-LHIVIC, EHESS Michel Gauthier, heritage saturated steam properties curator, Centre Georges Pompidou SUMMARY When the New York gallery owner John Gibson, figure in American art from the art scene from 1960-1970, organized the exhibitions Story I (1973) and Narrative II (1974), he had seen what would be the "next big thing" in vogue after the Ecologic and art Body art: the narrative. If the Narrative art is now somewhat forgotten, this perception was based on a core of American and European artists (Jean Le Gac, Didier Bay, John Baldessari, saturated steam properties William Wegman, David Askevold, Peter Hutchinson, Bill Beckley, Roger Welch ...) concerned with issues of narrative by means of photography and text was in fact confirmed by an intense period of critical production and exhibition of old and new continents but also by all of creation seeking emancipation against essentialist questions about art and engaged in "factory of the world" saturated steam properties in which the anthropological function of the narrative brought a natural way. Querying and specifying, using narratology, the narrative in this corpus is characterized by the immanence of a relationship to the world and to itself, through the aesthetic perception of the everyday and the mythologizing of the subject, this thesis aims to identify, in a hermeneutic perspective anchored on the notion of event, the steps of the process leading to the living experience of the world to the world of work, life in the art that makes this corpus particularly visible. saturated steam properties More than just a history of Narrative art, this interdisciplinary thesis is presented as an investigation into the historical, aesthetic and political sense given the reinvestment of narrativity by these artists and more generally those years 1960-1970, saturated steam properties including allowing to detect underestimates the origins of the narrative saturated steam properties in the history of art.
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